Yang has never been more sensitive to the rhythm of urban life—at one point setting a scene’s pace by using a traffic light as his metronome. The movie’s tone is as level as its frames are carefully composed. Yang juggles subplots with aplomb and refuses to crowd his characters, typically positioning his actors in tactful middle-shot.
It’s All Relative - Page 1 - Movies - New York - Village Voice
Posted 1 year ago
